Field Trip Berlin | 11–15.02.2019

Organisation: Miriam Koban, Peter Kessel, Robert Lzicar

It was a wonderful trip. Beautiful encounters with committed and passionate creatives. A generous organisation, a huge thank you to Miriam, Robert and especially Peter for this creative and beautiful week 😉

Program in PDF

Kreativ Kultur Berlin

Artist Andrea
https://cargocollective.com/Andrea-WallgrenGerichtshöfe
https://www.gerichtshoefe.de/

ArtLoftBerlin
https://artloft.berlin/

Druckbar Wedding
https://druckbarwedding.com/

Mirage Bistrot
http://mirage.berlin/

Jochen Küpper
https://www.creative-city-berlin.de/de/ccb-magazin/2018/8/28/jochen-kupper-urban-art-week/

Weltzeituhr Berlin

The World Clock (Weltzeituhr), also known as the Urania World Clock is a large turret-style world clock located in the public square of Alexanderplatz in Mitte, Berlin. By reading the markings on its metal rotunda, the current time in 148 major cities from around the world can be determined. Since its erection in 1969, it has become a tourist attraction and meeting place. In July 2015, the German government declared the clock as a historically and culturally significant monument.

The clock was designed by the designer Erich John, who at the time was an employee of the planning group for the transformation of Alexanderplatz under the direction of Walter Womacka. Before designing the clock and managing its construction, John was a lecturer at Kunsthochschule Berlin-Weißensee, where he taught product design. The idea to erect a clock in Alexanderplatz was had when the wreckage of the Uraniasäule (a.k.a. Wettersäule), a pre-World War II public clock, was found during the restoration of the square in 1966.

The construction of the clock required more than 120 engineers and other experts, including the sculptor Hans-Joachim Kunsch; the Getriebefabrik Coswig company was also instrumental in its construction. In Germany at the time, there was no widely recognized design award, so John did not receive one for his work. However, he received a design award for a different design of his in 1982.

In 1987, a commemorative coin was released with the image of the World Clock. In 1997, the cities of Tel Aviv and Jerusalem were added to the clock during a necessary repair to the mechanism – when it was erected, the cities were omitted due to the political sensibilities surrounding the nation of Israel of the time. Two cities which had changed their names since the clock was erected were also changed: Leningrad (to Saint Petersburg) and Alma Ata (to Almaty).

Zentralbild-Koard-3.10.69-Berlin: Weltzeituhr läuft. Ein neues Kunstwerk schmückt den Alexanderplatz in der Hauptstadt -die Urania-Säule mit einer Weltzeituhr.Die kunstvoll gestaltete Säule wurde von Erich John, Dozent an der Hochschule für bildende und angewandte Kunst, geschaffen. Unter dem Beifall der Berliner wurde sie am 2.10.69 der Öffentlichkeit übergeben.

Design Research Methods Festival | 05–07.11.2018

Organisation: Minou Afzali, Miriam Koban

Program of the week

Lecture of Gerlinde Schuller, specialized in information design and visual journalism and founded The World as Flatland.

She spoke to us about how to present complex design stories. How to approach complexity!

© Gerlinde Schuller
© Gerlinde Schuller
© Gerlinde Schuller

She gives an example with this movie about the statistics of the city of Amsterdam, on stage with actors! It’s very interesting because there are notions of time that could be useful for my exhibition project.

© Gerlinde Schuller

Lecture of Catalina Jossen Cardozo, founder of By Maria

She presented us with the design processes she used for her project of making shoes on demand. We then did a workshop in groups to put the business canvas into practice.

© Catalina Jossen Cardozo
© Catalina Jossen Cardozo
© Catalina Jossen Cardozo

Social Design

Teacher: Minou Afzali
Visit the exhibition during the course Design with Social Impact. We analysed the exhibition by making a report which is available here!

Exhibition of the Museum für Gestaltung Zürich, 05.10.2018–03.02.2019

A loom to start a business, a do-it-yourself house, or a solar kiosk for local power supply: social design is design for and with society — and highly topical. The consequences of the global growth economy are becoming increasingly severe for both human beings and the environment. Social design confronts the increasing imbalance of resources, means of production, and future opportunities and relies on a new, equitable exchange between the individual, civil society, the state, and the economy. Against this background, architects, designers, craftsperson, and engineers are all developing solutions. This exhibition presents relevant international projects and discusses the redesign of social systems, as well as of living and working environments.
Anyone and everyone can help shape society!
The exhibition integrates a forum enabling visitors to share their own knowledge, opinions, and ideas.

«Design always stands in a social context. While I was working on Social Design, the political situation in many parts of the world developed in a way that I would not have thought possible. I am glad that there are designers and initiatives whose projects are embracing this challenge and have the world as a whole in mind.»
Angeli Sachs, Curator

Course Design with Social Impact | 04–13.10.2018

Teacher: Minou Afzali

During this course we tested different methods, such as observation and interviews.

For the interview, I interviewed a woman decorator and a man scientist. The questions referred to time and its perception. The result is rich and opens up ideas for developing my exhibition project.

For the observation exercise, I made 2 films. One shows the movement of the sun in the sky and the other shows the movement of a boat with the play of sound.

Summer School 2018 – Museum der Zukunft ! | 20.08–01.09.2018

Organisation: Lea-Nina Fischer, Kathrin Merz, Guy Lafranchi, Jimmy Schmid
Partner (Historical Museum of Bern): Barbara Hirsig, Franziska Karlen, Merja Rinderli, Jakob Messerli

Program | Reader

In the summer of 2018, before I started my MAD training, I attended the Summer School “Museum der Zukunft! For 10 days we worked in groups of 5 students in an interdisciplinary way. The programme was to learn how to reinvent the Historical Museum of Bern in 2050, how it would be seen, how its collections would be presented.

It has been a rich and exciting experience. The meetings, conferences, references, experiences to get out of one’s comfort zone brought me a lot for the development of my project and for my professional life.

Many thanks to the team of teachers who made this wonderful summer school possible, to the speakers and to my colleagues, Mateo Garcia Torres, Adam Netter, Jelma Oda, Tina Odermatt for their commitment and generosity.

Project of our ASCARI team | Panel 1 | Panel 2
Presentation video
Pitch video